{"id":18378,"date":"2022-01-31T09:18:52","date_gmt":"2022-01-31T08:18:52","guid":{"rendered":"https:\/\/novisad2022.rs\/?p=18378"},"modified":"2022-01-31T09:18:52","modified_gmt":"2022-01-31T08:18:52","slug":"unstable-practices-exhibition-from-novi-sad-opened-in-kaunas-the-european-capital-of-culture","status":"publish","type":"post","link":"https:\/\/novisad2022.rs\/en\/unstable-practices-exhibition-from-novi-sad-opened-in-kaunas-the-european-capital-of-culture\/","title":{"rendered":"\u2018Unstable practices\u2019 exhibition from Novi Sad opened in Kaunas \u2013 the European Capital of Culture"},"content":{"rendered":"

Novi Sad became the European Capital of Culture on 13 January, and together with it, Lithuanian Kaunas and Luxembourgian Esch also carry this prestigious title in 2022.<\/p>\n

The opening ceremony of \u2018Kaunas \u2013 the European Capital of Culture\u2019 was held on 22 January<\/strong>, and as part of the ceremony, as well as cooperation between the two European Capitals of Culture, the exhibition \u2018Unstable practices\u2019 was opened at Kaunas Photography Gallery<\/strong>, and the curatorial team consisted of Sanja Koji\u0107 Mladenov, Agne Narusyte, Zoran Panteli\u0107 and Gintaras Zinkevi\u010dius.<\/p>\n

The exhibition presents examples of unstable and emancipatory art practices in Novi Sad, from neo-avant-garde to contemporary, media and postmedia art. Its starting point are the results of the project \u2018Trajni \u010das umetnosti\u2019<\/strong>, by the New Media Center_kuda.org<\/strong>, aimed at mapping the social and artistic history of Novi Sad, presenting a network of protagonists and references, artistic, social, and political theories and practices, which influenced the Novi Sad neo-avant-garde scene of the 60s and 70s.<\/p>\n

\"izlo\u017eba<\/p>\n

For these reasons, the central part of the exhibition is the \u2018Media Ontologies\u2019 map, as a key segment of the \u2018Trajni \u010das umetnosti\u2019 project, which presents research methodology of the project and covers historical avant-garde from the beginning of the 20th<\/sup> century, through post-war avant-garde, all the way to contemporary artistic media production.<\/p>\n

Avant-garde processes, as initiators of artistic experiment, innovation, progressiveness, engagement, and freedom of artistic expression, marked the artistic and social history of Novi Sad. This raises the question of preserving values \u200b\u200bin the local environment, its visibility and connection with similar, important activities in regional and international cultural space, as well as their connection to contemporary media and post-media practices.<\/p>\n

\"izlo\u017eba<\/p>\n

Through artists, photography, video and digital art and documentary structure of the Museum of the Contemporary Art of Vojvodina, New Media Center_kuda.org, the exhibition points to certain important figures, phenomena, and spaces for developing avant-garde, media and post-media Novi Sad practices. At the same time, it deals with questioning the influence of specific social context on the development of the art scene, the relationship between the institutions and social system and critical, unstable, and emancipatory concepts, the nature between private and public space, as well as how local, regional, and international music scenes are connected.<\/p>\n

The project \u2018Trajni \u010das umetnosti\u2019 provides a contextual insight into the historical progressive and engaged artistic practices in Novi Sad and points to the complex social and political environment that significantly determined these practices, which primarily refers to the main economic and political upheavals in Yugoslavia. The content and works are taken from exhibitions produced and curated by the Museum of Contemporary Art of Vojvodina<\/strong> and New Media Center_kuda.org<\/strong>, Novi Sad. The exhibition will be open until 27 February<\/strong>.<\/p>\n

The organisers behind the exhibition are \u2018Kaunas \u2013 European Capital of Culture\u2019, \u2018Novi Sad \u2013 European Capital of Culture\u2019, as well as Kaunas Photography Gallery.<\/p>\n

The exhibition of the artist from Kaunas marked the opening of the European Capital of Culture in Novi Sad<\/strong><\/h4>\n

The day before the opening ceremony of the European Capital of Culture\u00a0in Novi Sad, on 12 January, the exhibition \u2018People of My City\u2019 by the Lithuanian photographer Ramune Pigagaite was opened at the SULUV Gallery. The artist, who is living and working in Germany at the moment, revives her childhood memories and her hometown Var\u0117na, where she took photos of her fellow citizens and foreigners. According to art historian Agn\u0117 Narusyt\u0117, \u2018the people of Var\u0117na are like saints carved out of wood by masters of folk crafts, not letting go of their accessories, holding on to them as the representative of who they are as people. Were it not for these additions, it would not be possible to say who they were. Stories of their work, joys and sufferings would have been lost forever.\u2019<\/p>\n

The public could have seen the exhibition until 21 January at SULUV gallery.<\/p>\n

The exhibition was realized within the Cooperation and Partnership Realizations Programme (Programa saradnje i partnerskih realizacija<\/em>), the Association of Fine Artists of Vojvodina<\/a>, \u2018Novi Sad \u2013 European Capital of Culture\u2019 Foundation<\/a>, \u2018Kaunas \u2013 European Capital of Culture\u2019 Foundation<\/a> and Kaunas Photography Gallery.<\/a><\/p>\n

\"Kaunas<\/p>\n

In addition to Novi Sad and Kaunas, Luxembourgian Esch also carries the title this year, and its grand opening is scheduled for 26 February.<\/p>\n

Photo: Gintaras \u010cesonis<\/p>\n

 <\/p>","protected":false},"excerpt":{"rendered":"

Novi Sad became the European Capital of Culture on 13 January, and together with it, Lithuanian Kaunas and Luxembourgian Esch also carry this prestigious title in 2022. The opening ceremony of \u2018Kaunas \u2013 the European Capital of Culture\u2019 was held on 22 January, and as part of the ceremony, as well as cooperation between the 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